The Korg Triton is a diverse synthesiser and the rack version is the smallest but also the most expandable of the series. In this selection of Triton samples we used the Triton Rack and the Vintage Archives expansion ROM which provides a wealth of vintage synth sounds. Read more about the Korg Triton Synth
The Korg Triton samples below can be purchased individually or as part of a special (heavily discounted) 10 DVD set - 1277 Korg Triton sound patches sampled at at 24-Bit resolution
Korg Triton BUDGET SAMPLE PACK 007 (DVD 7 OF 10) |
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KONTAKT / EXS24 / WAV |
131 Korg Triton sound patches at 24-Bit resolution PRICE: £9.99 P&P: £1.99 (UK ONLY) TOTAL: £11.98 |
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PLEASE NOTE WE ONLY SUPPLY TO THE UNITED KINGDOM |
SEE FULL 10 DVD COLLECTION (HALF PRICE) >>>>>>> | |||
Korg Triton Patches Sampled (consisting of the Vintage Archives expansion bank in the Rack version) | |||
000 d Synth Brass 001 d 6oow Bass 002 d 2VCO Planet 003 s OB Classcial ST 004 d 4 by 4ths 005 s Strawberry Flute 006 d NostalgicStrings 007 d 800DV Lead 008 d Serious Bass 009 d Progressv Trance 010 d The EEC Groove 011 d Polyphet Line 012 d Reverse Bass 013 d Analog Bell 014 d Portamento Pad 015 d VCF S&H Arpg 016 s Vocoder Choir 017 d Strings Machine 018 d Lounge Kit 019 d Nu Decay BASS 020 d Crank Da Bass 021 d Square Tea Bass 022 d PolySix Bass 023 d Tigger the Bass 024 d Filter Bass 025 d Mother ship Bass 026 d ProSynth Bass 027 d Black Low Bass 028 s Warm Low Bass 029 d MG Tri Bass 030 d www.hard.ne.jp 031 d Comp MG Bass |
032 d Harry Bass 033 d Dist Tea Bass 034 s Blaster Bass 035 d Roboto Basssss 036 s Breakbeat Bass 037 s Orbitone 038 s MiniKORG700 Solo 039 d PWM Lead 040 s MiniKORG700 Lead 041 s ProSynth SqrLead 042 s Fly Like An..... 043 s Detune Sqr Lead 044 d LoungeSpace Lead 045 d MS20 Lead 046 d Psychedelic Lead 047 d Monster Sync 048 s Dist-Lead 049 d Dialated 050 d Romantic Cluster 051 s ProSynth Organ 052 s Green Organ 053 d Canterbury Organ 054 d Mondo Organ 055 s Phunky Ana Piana 056 s Vintage EP200 057 d 70s Analog Piano 058 d Velocity PWM 059 s ProSyn ClDarkKey 060 d J-Pad Bell 061 d 2VCO Saw Organ 062 d Tremolo Pad 063 d The 10% Solution |
064 d 2VCO Decay Pad 065 d Ice Piano 066 d Arp Rez Poly 067 d Tube Vox 068 s Reso Comp 069 d M12 Poly 070 d Invert Direction 071 d Boinker Synth 072 d Old Hi Pad 073 d Pulse Down Pad 074 d Glassy & Gritty 075 d Tingles 076 s ProSynRev2 Brass 077 d MMG Brass 078 d M12 Brass 079 d Soft Brass Phive 080 d TotalPower Synth 081 d Pure Stab 082 d Stereo M12 083 d Space Pad 084 d Real-Cheap Brass 085 d 2600 Strings 086 d OB Strings 087 d Delta StrngSynth 088 d Phasing Strings 089 d Ahh..Real Osc's! 090 d ambr:sea 091 d Cloudy Pad 092 d London's Pride 093 d Nebula Church 094 d No Exit Eire 095 d [ Angelis ] |
096 d <EVEREST> 097 d Fond Memories 098 s Slow MG Synth 099 d Chromy BPF Sweep 100 d Flautistic Ens 101 d Spinning Pad 102 d Butterfly Sweep 103 d Multi-Modular 104 d Heavy Image 105 d Lil'Space Men 106 d DeepPadw-Sprnkls 107 d Radio Angels 108 d Ghost Train 109 d VS Voice Pad 110 d Chrome Choir 111 d Tiny Androids 112 d < OpenMind > 113 d Tremolo Sine 114 d SQ Synth 115 d Analog Hit 116 s Trance Bleeper 117 d CyberWaveStation 118 d ModulatedMadness 119 d Elec Laboratory 120 d Prophetic Pulsar 121 d Synchro Pulse 122 s Ultra-Low Osc's 123 d Circuit S-H 124 s Modulator MS20 125 s Droner>SlowClimb 126 d Digger 127 d Beat Box Kit |
104 d Heavy Image is really 106 d DeepPadw-Sprnkls
106 d DeepPadw-Sprnkls is really 104 d Heavy Image
A total of 2,096 samples were taken, of our Korg Triton, using MOTU 2408 mk3 audio interfaces. We sampled all of the patches available on the amazing Vintage Archives expansion. Of course these patches are all of the synthesizer variety without a real acoustic sound to be heard amongst them. The easiest way in which to enhance these sounds is to apply a very small amount of tube enhancement or a tube effect plugin but you will also find that a small amount of saturation prior ro an analog style delay and a touch of reverb polishes everything up nicely and provides inspiration at every tweak. If you wish to filter these samples it is best to do this after a small amount of saturation and followed by tube enhancement and the usual delay and reverb. These patches can sound as fat or as thin as you want to make them using the effects mentioned or further filtering followed by eq. Whenever we are using a DAW we record everything dry and only mix in reverb via a bus, we do this with delays also but it can also be beneficial to apply sample delay to create psuedo stereo or other effect before an echo type delay. Analogue chorus was widely used in early synths so a small amount of chorus, flanger or a phaser can also bring a flatter sound more life and movement. It is also beneficial to use a very subtle randomness to the fine tuning and a very slow modulating chorus as this emulates how the original instruments tended to sound in a random way.